Tania is like Irène. She expects fat letters. But there is another Tania, a Tania like a big seed, who scatters pollen everywhere--or, let us say, a little bit of Tolstoy, a stable scene in which the fetus is dug up. Tania is a fever, too--les voies urinaires, Café de la Liberté, Place des Vosges, bright neckties on the Boulevard Montparnasse, dark bathrooms, Porto Sec, Abdullah cigarettes, the adagio sonata Pathétique, aural amplificators, anecdotal seances, burnt sienna breasts, heavy garters, what time is it, golden pheasants stuffed with chestnuts, taffeta fingers, vaporish twilights turning to ilex, acromegaly, cancer, and delirium, warm veils, poker chips, carpets of blood and soft thighs. Tania says so that everyone may hear: "I love him!"
Indigo sky swept clear of fleecy clouds, gaunt trees infinitely extended, their black boughs gesticulating like a sleepwalker. Somber, spectral trees, their trunks pale as cigar ash. A silence supreme and altogether European. Shutters drawn, shops barred. A red glow here and there to mark a tryst. Brusque the façades, almost forbidding; immaculate except for the splotches of shadows cast by the trees.
This is one of the most exquisite pieces of music ever created!
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